Mark Brown

In the ever-evolving landscape of music genres, Electro Pop shines as a vibrant fusion of electronic and pop elements. This genre has captivated audiences worldwide with its infectious beats, catchy melodies, and futuristic soundscapes. Let's delve into the world of Electro Pop and explore its evolution, characteristics, influential artists, technological impact, global reach, and future trends. The Evolution of Electro Pop traces back to the late 1970s when synthesizers and drum machines began to revolutionize music production. Artists like Kraftwerk and Giorgio Moroder paved the way for the genre by incorporating electronic sounds into their pop compositions. As technology advanced, Electro Pop evolved into a diverse genre that embraced experimentation and innovation. Characteristics of Electro Pop include pulsating rhythms, shimmering synths, melodic hooks, and glossy production. The genre often blends elements of dance music with pop sensibilities, creating an irresistible s

In today’s increasingly digital world, concerns about privacy and personal security are on the rise. One emerging issue that has gained attention in recent years is the concept of “voice to skull” technology or v2k tech and electronic harassment. While these topics may sound like science fiction, they raise important legal and ethical questions that deserve careful consideration. The Growing Concern of Digital Privacy and Security As our lives become more interconnected with technology, the conversation about privacy and personal security has taken center stage. The proliferation of smart devices, social media platforms, and digital surveillance has made it easier than ever to track, monitor, and collect data on individuals. In this environment, concerns about privacy violations and unauthorized surveillance have grown exponentially, leading to new discussions about the ways in which technology can be used—and misused. One emerging topic that has caught the attention of privacy advocat

Daniel Triana MUSIC PRESS REVIEWS: "The Color of Sound" by Daniel TriAna is an exciting and sometimes strange journey into the world of electronic/ambient/techno sound. The CD contains songs that range from short ambient soundscapes to longer driving house/techno/dance pieces. The music is sometimes aggressive, sometimes soothing, sometimes gothic-flavored, sometimes experimental, but always creative, fresh, and modern. Share the vision of Daniel Triana on "The Color of Sound". What the press has said about "The Color of Sound": "I definitely liked this CD ... The feel/atmosphere of the music and vocals reminded me of Bauhaus, with a more techno/industrial/ambient flavor ... I could see this as a tasty addition to MTV's AMP show ... beautifully layered ... very very fine instrumentals ... Daniel TriAna could be the American equivalent of Orbital or future Sound of London ... the man's lyrics are wonderful ..." - Underground Sound / Camil

Electronic music with dark ambient textures, exploring technology and how it relates to the arts. Prior to Daniel's solo experiments, he was the founding member of the gothic/alternative band entitled: "Bellas Artes". After several releases, the band slowly dissolved, but the music remains a pleasant memory for Daniel.  ​ TriLab first appeared as a label and studio in 1994, prior to that, some of Daniel's music was released through a german label called: IRRE-Tapes (Kindsbach). Some of his music also appeared in the french series: Tears Compilations. Besides the conventional and purely original 3-7 minute song structure, Daniel has also composed short ambient-like snippets as in "The Color Of Sound" CD (including his more techno-structured full length compositions), as well as more longer pieces like the 15-minute "Angel en una Tormenta [Angel in a storm]" (Tears Compilations: France), along with his longest works to date, the 40-minute live/ambien

Electronic music with dark ambient textures, exploring technology and how it relates to the arts. Prior to Daniel's solo experiments, he was the founding member of the gothic/alternative band entitled: "Bellas Artes". After several releases, the band slowly dissolved, but the music remains a pleasant memory for Daniel.  ​ TriLab first appeared as a label and studio in 1994, prior to that, some of Daniel's music was released through a german label called: IRRE-Tapes (Kindsbach). Some of his music also appeared in the french series: Tears Compilations. Besides the conventional and purely original 3-7 minute song structure, Daniel has also composed short ambient-like snippets as in "The Color Of Sound" CD (including his more techno-structured full length compositions), as well as more longer pieces like the 15-minute "Angel en una Tormenta [Angel in a storm]" (Tears Compilations: France), along with his longest works to date, the 40-minute live/ambien

Deep Dark Atmospheric Electronic Music with a Groove. Electronic music with dark ambient textures, exploring technology and how it relates to the arts. Prior to Daniel's solo experiments, he was the founding member of the gothic/alternative band entitled: "Bellas Artes". After several releases, the band slowly dissolved, but the music remains a pleasant memory for Daniel.   ​ TriLab first appeared as a label and studio in 1994, prior to that, some of Daniel's music was released through a german label called: IRRE-Tapes (Kindsbach). Some of his music also appeared in the french series: Tears Compilations. Besides the conventional and purely original 3-7 minute song structure, Daniel has also composed short ambient-like snippets as in "The Color Of Sound" CD (including his more techno -structured full length compositions), as well as more longer pieces like the 15-minute "Angel en una Tormenta [Angel in a storm]" (Tears Compilations: France), along w